Understanding Cinema

Understanding Cinema

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Understanding Cinema, first published in 2003, analyzes the moving imagery of film and television from a psychological perspective. Per Persson argues that spectators perceive, think, apply knowledge, infer, interpret, feel and make use of knowledge, assumptions, expectations and prejudices when viewing and making sense of film. Drawing psychology and anthropology, he explains how close-ups, editing conventions, character psychology and other cinematic techniques work, and how and why they affect the spectator. This study integrates psychological and culturalist approaches to meanings and reception. Anchoring the discussion in concrete examples from early and contemporary cinema, Understanding Cinema also analyzes the design of cinema conventions and their stylistic transformations through the evolution of film.There is involuntary commotion in the audience, a cry of alarm, then laughter: the engine and the carriages have slipped ... Cited in Tsivian, 1994:146) We find this form of illusion -emot ional illusions or, better, illusions of sensations - in todaya#39;sanbsp;...


Title:Understanding Cinema
Author: Per Persson
Publisher:Cambridge University Press - 2003-07-28
ISBN-13:

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